Stephen Cornford

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 Horizon Of Fulfilment   
 

 


 

 

 

2023
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Spectral Index

Petrified Media

2022
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Dark Current Collages
Horizon of Fulfilment

2021
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To Photograph A Rock
Pixel Mining

2019
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RGB [Retinally Governed Behaviours]

2018
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Saturation Trails - Acid
- Laser
- X-Ray
Destruction of an Image Sensor

2016
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Constant Linear Velocity
Augenmusik
Methodology for a Synaesthetic Screen

2015
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Migration
Digital Audio Film

2013
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Solipsism Cinema
Archipelago

2012
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Recorded (on) Delivery
Five Introverted Machines

2011
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Binatone Galaxy

2010
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In Search of a Concrete Music

2009
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Works for Turntable

2008
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Three Piece
Air Guitar
Extended Piano

2007
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Trespassing The Olympic Site
For Violin, Viola & Tape



 

 

 
On Brexit day I decided to ride to the edge of the small-minded land. The closest I got that evening was the footbridge over the railway at St. Andrews Road station, just outside Avonmouth village, beyond which lies the heavily fenced and frequently patrolled territory of the international port. Peering at the container cranes in the distance I wondered how this area would change over the coming decade, how would the inevitable disruption to international trade shape this territory - politically, economically, physically, demographically? 

Over the next two pandemic-tinged winters I returned regularly after nightfall with a DSLR that I had converted to shoot in infrared, taking 2 to 8 minute exposures of the port and surrounding industrial areas. During this time, the West of England Combined Authority applied—and thankfully failed—to establish Avonmouth as a Freeport. Nevertheless it remains a site of rapid horizontal urbanisation, with single storey distribution centres now covering much of what the dense network of waterways remind us is actually a flood plain. A low-rise monument to human myopia. In 2022 planning was granted for a new gas pipeline to be laid between the dock and the gas cylinders, as if the international shipping of fossil fuels would continue in perpetuity.